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Crime, usually murder, is an element of almost all film noirs; in addition to standard-issue greed, jealousy is frequently the criminal motivation. A crime investigation—by a private eye, a police detective (sometimes acting alone), or a concerned amateur—is the most prevalent, but far from dominant, basic plot. In other common plots the protagonists are implicated in heists or con games, or in murderous conspiracies often involving adulterous affairs. False suspicions and accusations of crime are frequent plot elements, as are betrayals and double-crosses. According to J. David Slocum, "protagonists assume the literal identities of dead men in nearly fifteen percent of all noir."Slocum (2001), p. 160. Amnesia is fairly epidemic—"noir's version of the common cold", in the words of film historian Lee Server.Server (2006), p. 149. By the late 1940s, the noir trend was leaving its mark on other genres. A prime example is the Western Pursued (1947), filled with psychosexual tensions and behavioral explanations derived from Freudian theory.Ottoson (1981), p. 143. Film noirs tend to revolve around heroes who are more flawed and morally questionable than the norm, often fall guys of one sort or another. The characteristic protagonists of noir are described by many critics as "alienated";See, e.g., Naremore (2008), p. 25; Lyons (2000), p. 10. in the words of Silver and Ward, "filled with existential bitterness".Silver and Ward (1992), p. 6. Certain archetypal characters appear in many film noirs—hardboiled detectives, femme fatales, corrupt policemen, jealous husbands, intrepid claims adjusters, and down-and-out writers. Among characters of every stripe, cigarette smoking is rampant.See, e.g., Hirsch (2001), pp. 128, 150, 160, 213; Christopher (1998), pp. 4, 32, 75, 83, 116, 118, 128, 155. From historical commentators to neo-noir pictures to pop culture ephemera, the private eye and the femme fatale have been adopted as the quintessential film noir figures, though they do not appear in most films now regarded as classic noir. Of the twenty-six National Film Registry noirs, in only four does the star play a private eye: The Maltese Falcon, The Big Sleep, Out of the Past, and Kiss Me Deadly. Just four others readily qualify as detective stories: Laura, The Killers, The Naked City, and Touch of Evil. There is usually an element of drug or alcohol use, particularly as part of the detective's method to solving the crime, as an example the character of Mike Hammer in the 1955 film Kiss Me Deadly who walks into a bar saying "Give me a double bourbon, and leave the bottle". Chaumeton and Borde have argued that film noir grew out of the "literature of drugs and alcohol". Film noir is often associated with an urban setting, and a few cities—Los Angeles, San Francisco, New York, and Chicago, in particular—are the location of many of the classic films. In the eyes of many critics, the city is presented in noir as a "labyrinth" or "maze".See, e.g., Hirsch (2001), p. 17; Christopher (1998), p. 17; Telotte (1989), p. 148. Bars, lounges, nightclubs, and gambling dens are frequently the scene of action. The climaxes of a substantial number of film noirs take place in visually complex, often industrial settings, such as refineries, factories, trainyards, power plants—most famously the explosive conclusion of White Heat, set at a chemical plant.Ballinger and Graydon (2007), pp. 217–18; Hirsch (2001), p. 64. In the popular (and, frequently enough, critical) imagination, in noir it is always night and it always rains.See, e.g., Bould (2005), p. 18, on the critical establishment of this iconography, as well as p. 35; Hirsch (2001), p. 213; Christopher (1998), p. 7. A substantial trend within latter-day noir—dubbed "film soleil" by critic D. K. Holm—heads in precisely the opposite direction, with tales of deception, seduction, and corruption exploiting bright, sun-baked settings, stereotypically the desert or open water, to searing effect. Significant predecessors from the classic and early post-classic eras include The Lady from Shanghai; the Robert Ryan vehicle Inferno (1953); the French adaptation of Patricia Highsmith's The Talented Mr. Ripley, Plein soleil (Purple Noon in the United States, more accurately rendered elsewhere as Blazing Sun or Full Sun; 1960); and director Don Siegel's version of The Killers (1964). The tendency was at its peak during the late 1980s and 1990s, with films such as Dead Calm (1989), After Dark, My Sweet (1990), The Hot Spot (1990), Delusion (1991), Red Rock West (1993) and the television series Miami Vice.Holm (2005), pp. 13–25 passim. 

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Cover, 1925 On the morning of his thirtieth birthday, Josef K., the chief cashier of a bank, is unexpectedly arrested by two unidentified agents from an unspecified agency for an unspecified crime. Josef is not imprisoned, however, but left "free" and told to await instructions from the Committee of Affairs. Josef's landlady, Frau Grubach, tries to console Josef about the trial, but insinuates that the procedure may be related to an immoral relationship with his neighbor Fräulein Bürstner. Josef visits Bürstner to vent his worries, and then kisses her. Josef is ordered to appear at the court's address the coming Sunday, without being told the exact time or room. After a period of exploration, Josef finds the court in the attic. Josef is severely reproached for his tardiness, and he arouses the assembly's hostility after a passionate plea about the absurdity of the trial and the emptiness of the accusation. Josef later tries to confront the presiding judge over his case, but only finds an attendant's wife. The woman gives him information about the process and attempts to seduce him before a law student bursts into the room and takes the woman away, claiming her to be his mistress. The woman's husband then takes K. on a tour of the court offices, which ends after K. becomes extremely weak in the presence of other court officials and accused. One evening, in a storage room at his own bank, Josef discovers the two agents who arrested him being whipped by a flogger for asking K. for bribes and as a result of complaints K. made at court. K. tries to argue with the flogger, saying that the men need not be whipped, but the flogger cannot be swayed. The next day he returns to the storage room and is shocked to find everything as he had found it the day before, including the whipper and the two agents. Josef is visited by his uncle, a traveling countryman. Worried by the rumors about his nephew, the uncle introduces K. to Herr Huld, a sickly and bedridden lawyer tended to by Leni, a young nurse who shows an immediate attraction to Josef. During the conversation, Leni calls Josef away and takes him to the next room for a sexual encounter. Afterward, Josef meets his angry uncle outside, who claims that Josef's lack of respect for the process has hurt his case. During subsequent visits to Huld, Josef realizes that he is a capricious character who will not be much help to him. At the bank, one of Josef's clients recommends him to seek the advice of Titorelli, the court's official painter. Titorelli has no real influence within the court, but his deep experience of the process is painfully illuminating to Josef, and he can only suggest complex and unpleasant hypothetical options, as no definitive acquittal has ever been managed. Josef finally decides to dismiss Huld and take control of matters himself. Upon arriving at Huld's office, Josef meets a downtrodden individual, Rudi Block, a client who offers Josef some insight from a client's perspective. Block's case has continued for five years and he has gone from being a successful businessman to being almost bankrupt and is virtually enslaved by his dependence on the lawyer and Leni, with whom he appears to be sexually involved. The lawyer mocks Block in front of Josef for his dog-like subservience. This experience further poisons Josef's opinion of his lawyer. Josef is put in charge of accompanying an important Italian client to the city's cathedral. While inside the cathedral, a priest calls Josef by name and tells him a fable (which was published earlier as "Before the Law") that is meant to explain his situation. The priest tells Josef that the parable is an ancient text of the court, and many generations of court officials have interpreted it differently. Two days before Josef's thirty- first birthday, two men arrive at his apartment to execute him. They lead him to a small quarry outside the city, and kill him with a butcher's knife. Josef summarizes his situation with his last words: "Like a dog!" 

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Gregor Samsa wakes up one morning to find himself transformed into a "monstrous vermin". He initially considers the transformation to be temporary and slowly ponders the consequences of this metamorphosis. Unable to get up and leave the bed, Gregor reflects on his job as a traveling salesman and cloth merchant, which he characterizes as being full of "temporary and constantly changing human relationships, which never come from the heart". He sees his employer as a despot and would quickly quit his job had he not been his family's sole breadwinner and working off his bankrupt father's debts. While trying to move, Gregor finds that his office manager, the chief clerk, has shown up to check on him, indignant about Gregor's unexcused absence. Gregor attempts to communicate with both the manager and his family, but all they can hear from behind the door is incomprehensible vocalizations. Gregor laboriously drags himself across the floor and opens the door. The manager, upon seeing the transformed Gregor, flees the apartment. Gregor's family is horrified, and his father drives him back into his room under the threat of violence. With Gregor's unexpected incapacitation, the family is deprived of their financial stability. Although Gregor's sister Grete now shies away from the sight of him, she takes to supplying him with food, which they find he can only eat rotten. Gregor begins to accept his new identity and begins crawling on the floor, walls and ceiling. Discovering Gregor's new pastime, Grete decides to remove some of the furniture to give Gregor more space. She and her mother begin taking furniture away, but Gregor finds their actions deeply distressing. He desperately tries to save a particularly-loved portrait on the wall of a woman clad in fur. His mother loses consciousness at the sight of Gregor clinging to the image to protect it. As Grete rushes to assist her mother, Gregor follows her and is hurt by a medicine bottle falling on his face. His father returns home from work and angrily hurls apples at Gregor. One of them is lodged into a sensitive spot in his back and severely wounds him. Gregor suffers from his injuries for several weeks and takes very little food. He is increasingly neglected by his family and his room becomes used for storage. To secure their livelihood, the family takes three tenants into their apartment. The cleaning lady alleviates Gregor's isolation by leaving his door open for him on the evenings that the tenants eat out. One day, his door is left open despite the presence of the tenants. Gregor, attracted by Grete's violin-playing in the living room, crawls out of his room and is spotted by the unsuspecting tenants, who complain about the apartment's unhygienic conditions and cancel their tenancy. Grete, who has tired of taking care of Gregor and realizes the burden his existence puts on each one in the family, tells her parents they must get rid of "it", or they will all be ruined. Gregor, understanding that he is no longer wanted, dies of starvation before sunrise. The relieved and optimistic family take a tram ride out to the countryside and decide to move to a smaller apartment to save more money. During the short trip, Mr. and Mrs. Samsa realize that, in spite of the hardships that have brought some paleness to her face, Grete has grown up into a pretty and well-figured lady. They think about finding her a husband. 

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Fahrenheit 451 is set in an unspecified city (likely in the American Midwest) in the year 1999 (according to Ray Bradbury's Coda), though it is written as if set in a distant future.During Captain Beatty's recounting of the history of the firemen to Montag, he says, "Out of the nursery into the college and back to the nursery; where there's your intellectual pattern for the past five centuries or more." The text is ambiguous regarding which century he is claiming began this pattern. One interpretation is that he means the 20th century, which would place the novel in at least the 24th century. "The Fireman" novella, which was expanded to become Fahrenheit 451, is set in October 2052. The earliest editions make clear that it takes place no earlier than the year 1960.In early editions of the book, Montag says, "We've started and won two atomic wars since 1960", in the first pages of The Sieve and the Sand. This sets a lower bound on the time setting. In later decades, some editions have changed this year to 1990 or 2022. The novel is divided into three parts: "The Hearth and the Salamander," "The Sieve and the Sand," and "Burning Bright." 

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Max Klein survives an airline crash. The plane plummets, but strangely Max is calm. His calm enables him to dispel fear in the flight cabin. He sits next to Byron Hummel, a young boy flying alone. Flight attendants move through the cabin, telling another passenger, Carla Rodrigo, traveling with an infant, to hold the infant in her lap as the plane plummets out of control, while telling other passengers to buckle into their seats. Max was telling his business partner, Jeff Gordon, of his fear of flying as they took off. In the aftermath of the crash, most passengers died. Among the few survivors, most are terribly injured. Max is unhurt. The crash site is chaotic, filled with first responders and other emergency personnel. Focusing on the survivors, a team of investigators from the FAA and the airline company conduct interviews. Max is repelled by all the chaos. He is disgusted by the investigators wanting to interview him. Max rents a car and starts driving home. Along the way he meets an old girlfriend from high school, Alison. They haven't met for the last 20 years. At the restaurant Alison notices Max eating a strawberry. Max is allergic to strawberries. Max grins. He finishes the strawberry without an allergic reaction. The next morning, he is accosted by FBI investigators. They question his choice to not contact family to tell them he is fine. The airline representative offers him train tickets. Max asks for airline tickets. He wants to fly home, having no fear of air travel. The airline books him on the flight. They seat him next to Dr. Bill Perlman, the airline's psychiatrist. Dr. Perlman annoyingly tags behind Max back to his home, prodding him for information about the crash. Max is forced to snap back at the psychiatrist rudely, to be rid of him. Laura Klein, Max's wife, notices the strange behavior. Max seems different, changed somehow. Max's late business partner's wife, Nan Gordon, asks about Jeff's last moments. Max says Jeff died in the crash. The media call Max "The Good Samaritan" in news reports. The boy Max sat next to, Byron, publicly thanks him in television interviews, for the way he comforted passengers while the plane fell out of control during the crash. Max is a hero. Max avoids the press and becomes distant from Laura and his son Jonah. His persona is radically changed. He is preoccupied with his new perspective on life following his near death experience. He begins drawing abstract pictures of the crash. As he survived without injury, he thinks himself invulnerable to death. Because of his confidence, Dr. Perlman encourages Max to meet with another survivor, Carla Rodrigo, whose infant was held in her lap while the plane fell. Carla struggles with survivor's guilt, and is traumatized for not holding onto him tightly enough, although she was following the flight attendant's instructions (this was before child safety seats were required for infant passengers). Max and Carla develop a close friendship. He helps her to get past the trauma, to free herself from guilt, deliberately crashing his car to show that it was physically impossible for any person to hold onto anything due to the forces of the crash. Attorney Steven Brillstein encourages Max to exaggerate testimony, to maximize the settlement offer from the airline. Max reluctantly agrees when he is confronted with Nan's financial predicament as a widow. Cognitive dissonance spurs Max to a panic attack. He runs out of the office, to the roof of the building. He climbs onto the roof's edge. As Max stands on the ledge, looking down at the streets below, his panic subsides. He rejoices in fearlessness. Laura finds Max on the ledge. He is spinning around on the ledge with his overcoat billowing across his face. Brillstein arrives at the Klein home to celebrate the airline's settlement offer. He brings a fruit basket. Max eats one of the strawberries. This time he experiences an allergic reaction. Max is resuscitated by Laura and survives. He recovers his emotional connection to his family, to the world and to the reality of yet another chance at life. 

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Full-scale replica of Il Tempo Gigante Model of Il Tempo Gigante In the village of Flåklypa, (En. Pinchcliffe), the inventor Reodor Felgen (En. Theodore Rimspoke) lives with his animal friends Ludvig (En. Lambert) (a nervous, pessimistic and melancholic hedgehog) and Solan Gundersen (En. Sonny Duckworth) (a cheerful and optimistic magpie). Reodor works as a bicycle repairman, though he spends most of his time inventing weird Rube Goldberg-like contraptions. One day, the trio discover that one of Reodor's former assistants, Rudolf Blodstrupmoen (En. Rudolph Gore-Slimey), has stolen his design for a race car engine and has become a world champion Formula One driver. Solan secures funding from Arab oil sheik Ben Redic Fy Fazan (En. Abdul Ben Bonanza), who happens to be vacationing in Flåklypa, and to enter the race, the trio builds a gigantic racing car: Il Tempo Gigante—a fabulous construction with two extremely big engines (weighing 2.8 tons alone and making the seismometer in Bergen show 7.8 Richter when started the first time), a body made out of copper, a spinning radar (that turns out to be useful when Blodstrupmoen starts engaging in smoke warfare during the race) and its own blood bank. Reodor ends up winning despite Blodstrupmoen's attempts at sabotage. 

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At the wedding of Angus and Laura in Somerset, the unmarried best man Charles, his flatmate Scarlett; his friend Fiona and her brother Tom; Gareth, a gay man, and his Scottish lover Matthew; and Charles's deaf-mute brother David endure the festivities. At the reception, Charles becomes smitten with Caroline (Carrie), a beautiful young American, and the two spend the night together. In the morning, Carrie jokingly demands that Charles propose to her, observing that they may have "missed a great opportunity", and then leaves for America. Three months later, at the wedding of Bernard and Lydia, who became sexually involved at the previous wedding, Charles meets Carrie again, now accompanied by her new Scottish fiancé Sir Hamish. Charles faces further humiliation from several of his ex-girlfriends, including the distraught Henrietta, and retreats to an empty hotel suite; he watches Carrie and Hamish depart, and becomes trapped in a cupboard when the horny newlyweds stumble in to have sexual relations. Charles makes an awkward exit and is confronted by an angry Henrietta about his habit of “serial monogamy” and his fear of letting anyone get too close. Carrie reappears, and she and Charles spend another night together. A month later, Charles receives an invitation to Carrie's wedding. While shopping for a gift, he runs into Carrie and helps her select a wedding dress. She recounts her 33 sexual partners; Charles, who turns out to have been number 32, makes an awkward confession of his love to her, but to no avail. Another month later, Charles and his friends attend Carrie's wedding in Scotland. The gregarious Gareth instructs the group to seek potential mates; Scarlett hits it off with an American named Chester. As Charles watches Carrie and Hamish dance, Fiona deduces his heartbreak. When Charles asks Fiona why she is single, she confesses that she has loved Charles since they first met; though empathic to her feelings, Charles does not reciprocate them. During the bridegroom's toast, Gareth suddenly dies of a heart attack. At Gareth's funeral, Matthew recites the poem "Funeral Blues" by the homosexual English poet W. H. Auden, commemorating his relationship with Gareth and calling Auden “another splendid bugger.” Afterward, Carrie and Charles share a brief moment, and Charles and Tom ponder the fact that despite their clique's pride in being single, Gareth and Matthew were a "married" couple all the while, and whether the search for "one true love" is a futile effort. Ten months later, Charles's own wedding day arrives; the bride turns out to be Henrietta. Shortly before the wedding ceremony, Carrie arrives and tells Charles that she and Hamish have separated. Charles has a crisis of confidence and is counseled by David and Matthew, but proceeds with the wedding. When the vicar asks for any reason why the couple should not marry, however, the deaf David translates in sign language for Charles that he suspects the bridegroom loves someone else, which Charles confirms. Henrietta punches him in a rage, and the wedding is stopped. Carrie tries to apologize to Charles, who confesses that at the altar, he realised that the one person he truly loved was she. Charles, who fears marriage, makes a proposal of a lifelong commitment without marriage to Carrie, and she accepts it. At the end of the film, Henrietta marries an officer in the Grenadier Guards; David marries his girlfriend Serena; Scarlett marries Chester; Tom marries Deirdre, a distant cousin whom he met at Charles's wedding; Matthew finds a new male partner; Fiona is shown in a picture with a Prince Charles cut-out; the unmarried couple Charles and Carrie have a baby. 

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The series is set in the fictitious late 19th-century Western town of Four Feather Falls, Kansas, and features the adventures of its sheriff, Tex Tucker. In the first episode, Grandpa Twink relates the story of how it all began to his grandson, Little Jake. Tex is riding up from the valley and comes across a lost and hungry Indian boy, Makooya, and saves him. Tex is given four magic feathers by the boy's grandfather, Chief Kalamakooya, as a reward for saving his grandson. Two of the feathers allow his guns to swivel and fire automatically (often while Tex's hands are raised), and the other two allow his horse, Rocky, and his dog, Dusty, to speak. As Tex, his horse, and dog are very thirsty, Kalamakooya also makes a waterfall where there had been no water before, and so when the town was built it was named after Tex's feathers and the waterfall. The characters of the town are Grandpa Twink, who does little but rest in a chair; his grandson Little Jake, the only child in town; Ma Jones, who runs the town store; Doc Haggerty; Slim Jim, the bartender of the Denison saloon; Marvin Jackson, the bank manager; and Dan Morse, the telegraphist. Other characters appeared from time to time for only one episode, often just visiting town. The villains included Pedro, who was introduced in the first show and Fernando, who first appeared in the second episode as a sidekick and someone Pedro could blame when things went wrong, as they always did. Big Ben was another villain who appeared from time to time, as did Red Scalp, a renegade Indian. Other villains only appeared in single episodes. 

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Two girls, Agnes and Elin, attend school in the small town of Åmål, Sweden. Elin is outgoing and popular but finds her life unsatisfying and dull. Agnes, by contrast, has no real friends and is constantly depressed. Agnes is in love with Elin but cannot find any way to express it. Agnes's parents worry about their daughter's reclusive life and try to be reassuring. Her mother decides, against Agnes's will, to throw a 16th birthday party for her. Agnes is afraid no one will come. Viktoria, a girl in a wheelchair, shows up and Agnes shouts at her in front of her parents, telling her they are friends only because no one else will talk to them. Agnes, overcome with anger and depression, goes to her room and cries into her pillow shouting that she wishes she were dead, while her father tries to soothe her. Viktoria leaves and Agnes's family eats the food made for the party. Elin arrives at Agnes's house, mainly as an excuse to avoid going to another party, where there will be a boy (Johan, played by Mathias Rust) she wants to avoid. Elin's older sister, Jessica, who comes with her, dares her to kiss Agnes, who is rumoured to be a lesbian. Elin fulfills the dare and then runs out with Jessica, only to soon feel guilty for having humiliated Agnes. After becoming drunk at the other party, Elin gets sick and throws up. Johan tries to help her and ends up professing his love to her. Elin leaves Johan and the party, only to return to Agnes's house to apologize for how she acted earlier. In doing so, Elin stops Agnes from cutting herself. She even manages to persuade Agnes to return with her to the other party. On the way, Elin shares her real feelings about being trapped in Åmål. She asks Agnes about being a lesbian and believes that their problems could be solved by leaving Åmål and going to Stockholm. On impulse, Elin persuades Agnes to hitchhike to Stockholm, which is a five-hour journey by car. They find a driver who agrees to take them, believing them to be sisters who are visiting their grandmother. While sitting in the back seat, they have their first real kiss. The driver sees them and, shocked at the behaviour of the two 'sisters', orders them to leave the car. Elin discovers that she is attracted to Agnes but is afraid to admit it. She proceeds to ignore Agnes and refuses to talk to her. Elin's sister Jessica sees that she is in love and pushes her to figure out who it is. To cover the fact that she is in love with Agnes, Elin lies, pretending to be in love with Johan, and loses her virginity during a short- lived relationship with him. Elin eventually admits her feelings, when, after a climactic scene in a school bathroom, they are forced to 'out' their relationship to the school. The film ends with Elin and Agnes sitting in Elin's bedroom drinking chocolate milk. Elin explains that she often adds too much chocolate until her milk is nearly black. She must fill another glass with milk and mix it and that her sister Jessica often gets mad that she finishes the chocolate. Elin has the last word saying "It makes a lot of chocolate milk. But that doesn't matter." 

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In 1971, on the soon-to-be demolished stage of the Weismann Theatre, a reunion is being held to honor the Weismann's "Follies" shows past, and the beautiful chorus girls who performed there every year between the two World Wars. The once resplendent theatre is now little but planks and scaffolding ("Prologue"/"Overture"). As the ghosts of the young showgirls slowly drift through the theatre, a majordomo enters with his entourage of waiters and waitresses. They pass through the spectral showgirls without seeing them. Sally Durant Plummer, "blond, petite, sweet-faced" and at 49 "still remarkably like the girl she was thirty years ago",Sondheim, Stephen, and Goldman, James."Act 1" Follies. Theatre Communications Group, 2001, , pp. 2-3, 71 a former Weismann girl, is the first guest to arrive; her ghostly youthful counterpart moves towards her. Phyllis Rogers Stone, a stylish and elegant woman, also arrives with her husband Ben, a renowned philanthropist and politician. As their younger counterparts approach them, Phyllis comments to Ben about their past. He feigns a lack of interest; there is an underlying tension in their relationship. As more guests arrive, Sally's husband, Buddy, enters. He is a salesman, in his early 50s, appealing and lively, whose smiles cover inner disappointment. Finally, Weismann enters to greet his guests. Roscoe, the old master of ceremonies, introduces the former showgirls ("Beautiful Girls"). Former Weismann performers at the reunion include Max and Stella Deems, who lost their radio jobs and became store owners in Miami; Solange La Fitte, a coquette, who is vibrant and flirtatious even at 66; Hattie Walker, who has outlived five younger husbands; Vincent and Vanessa, former dancers who now own an Arthur Murray franchise; Heidi Schiller, for whom Franz Lehár once wrote a waltz (or was it Oscar Straus? Facts never interest her; what matters is the song!); and Carlotta Campion, a film star who has embraced life and benefited from every experience. As the guests reminisce, the stories of Ben, Phyllis, Buddy, and Sally unfold. Phyllis and Sally were roommates while in the Follies, and Ben and Buddy were best friends at school in New York. When Sally sees Ben, her former lover, she greets him self-consciously ("Don't Look at Me"). Buddy and Phyllis join their spouses and the foursome reminisces about the old days of their courtship and the theatre, their memories vividly coming to life in the apparitions of their young counterparts ("Waiting For The Girls Upstairs"). Each of the four is shaken at the realization of how life has changed them. Elsewhere, Willy Wheeler (portly, in his sixties) cartwheels for a photographer. Emily and Theodore Whitman, ex-vaudevillians in their seventies, perform an old routine ("The Rain on the Roof"). Solange proves she is still fashionable at what she claims is 66 ("Ah, Paris!"), and Hattie Walker performs her old showstopping number ("Broadway Baby"). Buddy warns Phyllis that Sally is still in love with Ben, and she is shaken by how the past threatens to repeat itself. Sally is awed by Ben's apparently glamorous life, but Ben wonders if he made the right choices and considers how things might have been ("The Road You Didn't Take"). Sally tells Ben how her days have been spent with Buddy, trying to convince him (and herself) ("In Buddy’s Eyes"). However, it is clear that Sally is still in love with Ben – even though their affair ended badly when Ben decided to marry Phyllis. She shakes loose from the memory and begins to dance with Ben, who is touched by the memory of the Sally he once cast aside. Phyllis interrupts this tender moment and has a biting encounter with Sally. Before she has a chance to really let loose, they are both called on to participate in another performance – Stella Deems and the ex-chorines line up to perform an old number ("Who's That Woman?"), as they are mirrored by their younger selves. Afterward, Phyllis and Ben angrily discuss their lives and relationship, which has become numb and emotionless. Sally is bitter and has never been happy with Buddy, although he has always adored her. She accuses him of having affairs while he is on the road, and he admits he has a steady girlfriend, Margie, in another town, but always returns home. Carlotta amuses a throng of admirers with a tale of how her dramatic solo was cut from the Follies because the audience found it humorous, transforming it as she sings it into a toast to her own hard-won survival ("I'm Still Here"). Ben confides to Sally that his life is empty. She yearns for him to hold her, but young Sally slips between them and the three move together ("Too Many Mornings"). Ben, caught in the passion of memories, kisses Sally as Buddy watches from the shadows. Sally thinks this is a sign that the two will finally get married, and Ben is about to protest until Sally interrupts him with a kiss and runs off to gather her things, thinking that the two will leave together. Buddy leaves the shadows furious, and fantasizes about the girl he should have married, Margie, who loves him and makes him feel like "a somebody", but bitterly concludes he does not love her back ("The Right Girl"). He tells Sally that he's done, but she is lost in a fantasy world, and tells him that Ben has asked her to marry him. Buddy tells her she must be either crazy or drunk, but he's already supported Sally through rehab clinics and mental hospitals and cannot take any more. Ben drunkenly propositions Carlotta, with whom he once had a fling, but she has a young lover and coolly turns him down. Heidi Schiller, joined by her younger counterpart, performs "One More Kiss", her aged voice a stark contrast to the sparkling coloratura of her younger self. Phyllis kisses a waiter and confesses to him that she had always wanted a son. She then tells Ben that their marriage can't continue the way it has been. Ben replies by saying that he wants a divorce, and Phyllis assumes the request is due to his love for Sally. Ben denies this, but still wants Phyllis out. Angry and hurt, Phyllis considers whether to grant his request ("Could I Leave You?"). Phyllis begins wondering at her younger self, who worked so hard to become the socialite that Ben needed. Ben yells at his younger self for not appreciating all the work that Phyllis did. Both Buddys enter to confront the Bens about how they stole Sally. Sally and her younger self enter and Ben firmly tells Sally that he never loved her. All the voices begin speaking and yelling at each other. Suddenly, at the peak of madness and confusion, the couples are engulfed by their follies, which transform the rundown theatre into a fantastical "Loveland", an extravaganza even more grand and opulent than the gaudiest Weismann confection: "the place where lovers are always young and beautiful, and everyone lives only for love"."Synopsis" mtishows.com. Retrieved August 30, 2010. Sally, Phyllis, Ben, and Buddy show their "real and emotional lives" in "a sort of group nervous breakdown."Sondheim, p. 231 What follows is a series of musical numbers performed by the principal characters, each exploring their biggest desires. The two younger couples sing in a counterpoint of their hopes for the future ("You're Gonna Love Tomorrow/Love Will See Us Through"). Buddy then appears, dressed in "plaid baggy pants, garish jacket, and a shiny derby hat", and performs a high-energy vaudeville routine depicting how he is caught between his love for Sally and Margie's love for him ("The God-Why-Don't-You-Love-Me Blues"). Sally appears next, dressed as a torch singer, singing of her passion for Ben from the past - and her obsession with him now ("Losing My Mind"). In a jazzy dance number, accompanied by a squadron of chorus boys, Phyllis reflects on the two sides of her personality, one naive and passionate and the other jaded and sophisticated and her desire to combine them ("The Story of Lucy and Jessie"). Resplendent in top hat and tails, Ben begins to offer his devil-may-care philosophy ("Live, Laugh, Love"), but stumbles and anxiously calls to the conductor for the lyrics, as he frantically tries to keep going. Ben becomes frenzied, while the dancing ensemble continues as if nothing was wrong. Amidst a deafening discord, Ben screams at all the figures from his past and collapses as he cries out for Phyllis. "Loveland" has dissolved back into the reality of the crumbling and half-demolished theatre; dawn is approaching. Ben admits to Phyllis his admiration for her, and Phyllis shushes him and helps Ben regain his dignity before they leave. After exiting, Buddy escorts the emotionally devastated Sally back to their hotel with the promise to work things out later. Their ghostly younger selves appear, watching them go. The younger Ben and Buddy softly call to their "girls upstairs", and the Follies end. 

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The series focuses on the exploits and misadventures of short-fused hotelier Basil Fawlty and his acerbic wife Sybil, as well as their employees: waiter Manuel, Polly Sherman, and, in the second series, chef Terry. The episodes typically revolve around Basil's efforts to "raise the tone" of his hotel and his increasing frustration at numerous complications and mistakes, both his own and those of others, which prevent him from doing so. Much of the humour comes from Basil's overly aggressive manner, engaging in angry but witty arguments with guests, staff and, in particular, Sybil, whom he addresses (in a faux-romantic way) with insults such as "that golfing puff adder", "my little piranha fish" and "my little nest of vipers". Despite this, Basil frequently feels intimidated, Sybil being able to cow him at any time, usually with a short, sharp cry of "Basil!" At the end of some episodes, Basil succeeds in annoying (or at least bemusing) the guests and frequently gets his comeuppance. The plots occasionally are intricate and always farcical, involving coincidences, misunderstandings, cross-purposes and meetings both missed and accidental. The innuendo of the bedroom farce is sometimes present (often to the disgust of the socially conservative Basil) but it is his eccentricity, not his lust, that drives the plots. The events test to the breaking point what little patience Basil has, sometimes causing him to have a near breakdown by the end of the episode. The guests at the hotel typically are comic foils to Basil's anger and outbursts. Guest characters in each episode provide different characteristics (working class, promiscuous, foreign) that he cannot stand. Requests both reasonable and impossible test his temper. Even the afflicted annoy him, as for example in the episode "Communication Problems", revolving around the havoc caused by the frequent misunderstandings between the staff and the hard-of-hearing Mrs. Richards. Near the end, Basil pretends to faint just at the mention of her name. This episode is typical of the show's careful weaving of humorous situations through comedy cross-talk. The show also uses mild black humour at times, notably when Basil is forced to hide a dead body and in his comments about Sybil ("Did you ever see that film, How to Murder Your Wife? ... Awfully good. I saw it six times.") and to the guests ("May I suggest that you consider moving to a hotel closer to the sea? Or preferably in it."). Basil's physical outbursts are primarily directed at Manuel, an emotional but largely innocent Spaniard whose confused English vocabulary causes him to make elementary mistakes. At times, Basil beats Manuel with a frying pan and smacks his forehead with a spoon. The violence towards Manuel caused rare negative criticism of the show. Sybil and Polly, on the other hand, are more patient and understanding toward Manuel; everyone's usual excuse for his behaviour to guests is, "He's from Barcelona"; Manuel even once used the excuse for himself. Basil longs for a touch of class, sometimes playing recordings of classical music. In one episode he is playing music by Brahms when Sybil remarks, after pestering him asking to do different tasks: "You could have them both done by now if you hadn't spent the whole morning skulking in there listening to that racket." Basil replies, with exasperation, "Racket?? That's Brahms! Brahms' Third Racket!" Basil often displays blatant snobbishness as he attempts to climb the social ladder, frequently expressing disdain for the "riff-raff", "cretins" and "yobbos" that he believes regularly populate his hotel. His desperation is readily apparent as he makes increasingly hopeless manoeuvres and painful faux pas in trying to curry favour with those he perceives as having superior social status. Yet he finds himself forced to serve those individuals that are "beneath" him. As such, Basil's efforts tend to be counter-productive, with guests leaving the hotel in disgust and his marriage (and sanity) stretching to breaking point. 

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Farmer Giles (Ægidius Ahenobarbus Julius Agricola de Hammo, "Giles Redbeard Julius, Farmer of Ham") is not a hero. He is fat and red-bearded and enjoys a slow, comfortable life. But a rather deaf and short-sighted giant blunders on to his land, and Giles manages to ward him away with a blunderbuss shot in his general direction. The people of the village cheer: Farmer Giles has become a hero. His reputation spreads across the kingdom, and he is rewarded by the King with a sword named Caudimordax ("Tailbiter")—which turns out to be a powerful weapon against dragons. The giant, on returning home, relates to his friends that there are no more knights in the Middle Kingdom, just stinging flies—actually the scrap metal shot from the blunderbuss—and this entices a dragon, Chrysophylax Dives, to investigate the area. The terrified neighbours all expect the accidental hero Farmer Giles to deal with him. The story parodies the great dragon-slaying traditions. The knights sent by the King to pursue the dragon are useless fops, more intent on "precedence and etiquette" than on the huge dragon footprints littering the landscape. The only part of a 'dragon' they know is the annual celebratory dragon-tail cake. Giles by contrast clearly recognises the danger, and resents being sent with them to face it. But hapless farmers can be forced to become heroes, and Giles shrewdly makes the best of the situation. It has been suggested that the Middle Kingdom is based on early Mercia,Shippey, Prof. Tom (2003), The Road to Middle-earth (expanded edition), Houghton Mifflin, p. 98, and that Giles's break-away realm (the Little Kingdom) is based on Frithuwald's Surrey.Patricia Reynolds (1991), 'Frithuwold and the Farmer', Mallorn (journal of the Tolkien Society), issue 28, pp. 7-10 

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Mr. Tako, head of Pacific Pharmaceuticals, is frustrated with the television shows his company is sponsoring and wants something to boost his ratings. When a doctor tells Tako about a giant monster he discovered on the small Faro Island, Tako believes that it would be a brilliant idea to use the monster to gain publicity. Tako immediately sends two men, Osamu Sakurai and Kinsaburo Furue, to find and bring back the monster. Meanwhile, the American nuclear submarine Seahawk gets caught in an iceberg. The iceberg collapses, unleashing Godzilla (who, in the Japanese version, had been trapped within it since 1955), who then destroys the submarine and a nearby Arctic military base. On Faro Island, a gigantic octopus crawls ashore and attacks the native village. The mysterious Faro monster, revealed to be King Kong, arrives and defeats the octopus. Kong then drinks some red berry juice that immediately puts him to sleep. Sakurai and Furue place Kong on a large raft and begin to transport him back to Japan. Mr. Tako arrives on the ship transporting Kong, but a JSDF ship stops them and orders them to return Kong to Faro Island. Meanwhile, Godzilla arrives in Japan and begins terrorizing the countryside. Kong wakes up and breaks free from the raft. Reaching the mainland, Kong confronts Godzilla and proceeds to throw giant rocks at Godzilla. Godzilla is not fazed by King Kong's rock attack and uses its atomic heat ray to burn him. Kong retreats after realizing that he is not yet ready to take on Godzilla and his atomic heat ray. The JSDF digs a large pit laden with explosives and poison gas and lures Godzilla into it, but Godzilla is unharmed. They next string up a barrier of power lines around the city filled with 1,000,000 volts of electricity (50,000 volts were tried in the first film, but failed to turn the monster back), which proves effective against Godzilla. Kong then approaches Tokyo and tears through the power lines, feeding off the electricity, which seems to make him stronger. Kong then enters Tokyo and captures Fumiko, Sakurai's sister. The JSDF launches capsules full of the Faro Island berry juice in gas form, which puts Kong to sleep, and are able to rescue Fumiko. The JSDF then decides to transport Kong via balloons to Godzilla, in hopes that they will kill each other. The next morning, Kong is dropped next to Godzilla at the summit of Mount Fuji and the two engage in a final battle. Godzilla initially has the advantage; due to his atomic heat ray and nearly kills Kong. After knocking Kong out with a devastating dropkick and tail blows to Kong's head, Godzilla begins burning the foliage around Kong, trying to cremate him. Suddenly, a bolt of lightning from thunder clouds strike King Kong, reviving him and charging him up. The monsters resume their fight, making their way towards the coastline and destroying Atami Castle before falling off a cliff together into the Pacific Ocean. After an underwater battle, only Kong resurfaces from the water, and he begins to swim back toward his island home. There is no sign of Godzilla, but the JSDF speculates that it is possible he survived. 

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After Yata is lost at sea, his brother Ryota steals a yacht with his two friends and a bank robber. However, the crew runs afoul of Ebirah, a giant lobster-like creature, and washes ashore on Letchi Island. There the Red Bamboo, a terrorist organization, manufactures heavy water for selling weapons of mass destruction; as well as a yellow liquid that keeps Ebirah at bay, presumably controlling it. The Red Bamboo has enslaved natives from nearby Infant Island to create the yellow liquid, the natives hoping that Mothra will awaken in her winged, adult form and rescue them. In their efforts to avoid capture, Ryota and his friends, aided by Daiyo, a native girl, come across Godzilla who previously fought Ghidorah, is now sleeping within a cliffside cavern. The group devises a plan to defeat the Red Bamboo and escape the island. In the process, they awaken Godzilla using a makeshift lightning rod. Godzilla fights Ebirah, but the huge crustacean escapes. Godzilla is then attacked by a giant condor and a squadron of Red Bamboo fighter jets. Using his atomic ray, Godzilla destroys the jets and kills the giant bird. The humans retrieve the missing Yata and free the enslaved natives as Godzilla begins to destroy the Red Bamboo's base of operations, smashing a tower that causes a countdown that will destroy the island in a nuclear explosion. Godzilla fights Ebirah and defeats it, ripping its claws off, forcing it to retreat back into the sea. The natives await for Mothra to carry them off in a large net. However, Godzilla challenges Mothra, since the monsters previously battled in 1964, when she gets to the island. Mothra manages to repel Godzilla and save her people and the human heroes. Godzilla also escapes just before the bomb detonates and destroys the island. 

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A team of scientists are trying to perfect a weather-controlling system. Their efforts are hampered by the arrival of a nosy reporter and by the sudden presence of giant praying mantises. The first test of the weather control system goes awry when the remote control for a radioactive balloon is jammed by an unexplained signal coming from the center of the island. The balloon detonates prematurely, creating a radioactive storm that causes the giant mantises to grow to enormous sizes. Investigating the mantises, which are named Kamacuras (Gimantis in the English-dubbed version), the scientists find the monstrous insects digging an egg out from under a pile of earth. The egg hatches, revealing a baby Godzilla. The scientists realize that the baby's telepathic cries for help were the cause of the interference that ruined their experiment. Shortly afterwards, Godzilla arrives on the island in response to the infant's cries, demolishing the scientist's base while rushing to defend the baby. Godzilla kills two of the Kamacuras during the battle while one manages to fly away to safety, Godzilla then adopts the baby. The baby Godzilla, named Minilla, quickly grows to about half the size of the adult Godzilla and Godzilla instructs it on the important monster skills of roaring and using its atomic ray. At first, Minilla has difficulty producing anything more than atomic smoke rings, but Godzilla discovers that stressful conditions (i.e. stomping on his tail) or motivation produces a true radioactive blast. Minilla comes to the aid of Saeko when she is attacked by a Kamacuras, but inadvertently awakens Kumonga (Spiga in the English-dubbed version), a giant spider that was sleeping in a valley. Kumonga attacks the caves where the scientists are hiding and Minilla stumbles into the fray. Kumonga traps Minilla and the final Kamacuras with its webbing, but as Kumonga begins to feed on the deceased Kamacuras, Godzilla arrives. Godzilla saves Minilla and they work together to defeat Kumonga by using their atomic rays on the giant spider. Hoping to keep the monsters from interfering in their attempt to escape the island, the scientists finally use their perfected weather altering device on the island and the once tropical island becomes buried in snow and ice. As the scientists are saved by an American submarine, Godzilla and Minilla begin to hibernate as they wait for the island to become tropical again. 

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At the close of the 20th century, all of the Earth's kaiju have been collected by the United Nations Science Committee and confined in an area known as Monster Island, located in the Ogasawara island chain. A special control center is constructed underneath the island to ensure that the monsters stay secure and to serve as a research facility to study them. When communications with Monster island are suddenly and mysteriously severed, and all of the monsters begin attacking world capitals, Dr. Yoshida of the UNSC orders Captain Yamabe and the crew of his spaceship, Moonlight SY-3, to investigate Ogasawara. There, they discover that the scientists, led by Dr. Otani, have become mind-controlled slaves of a feminine alien race identifying themselves as the Kilaaks, who reveal that they are in control of the monsters. Their leader demands that the human race surrender, or face total annihilation. Godzilla attacks New York City, Rodan invades Moscow, Mothra (a larval offspring) lays waste to Beijing, Gorosaurus destroys Paris, (although Baragon was credited for its destruction), and Manda attacks London. These attacks were set in to motion to draw attention away from Japan, so that the aliens can establish an underground stronghold near Mount Fuji in Japan. The Kilaaks then turn their next major attack onto Tokyo and, without serious opposition, become arrogant in their aims until the UNSC discover, after recovering the Kilaaks' monster mind-control devices from around the world, that they have switched to broadcasting the control signals from their base under the Moon's surface. In a desperate battle, the crew of the SY-3 destroys the Kilaak's lunar outpost and returns the alien control system to Earth. With all of the monsters under the control of the UNSC, the Kilaaks unleash their secret weapon, King Ghidorah. The three-headed space dragon is dispatched to protect the alien stronghold at Mount Fuji, and battles Godzilla, Minilla, Mothra, Rodan, Gorosaurus, Anguirus, and Kumonga. While seemingly invincible, King Ghidorah is eventually overpowered by the combined strength of the Earth monsters and is killed. Refusing to admit defeat, the Kilaaks produce their ace, a burning monster they call the Fire Dragon, which begins to torch Tokyo and destroys the control center on Ogasawara. Suddenly, Godzilla attacks and destroys the Kilaaks' underground base, revealing that the Earth's monsters instinctively know who their enemies are. Captain Yamabe then pursues the Fire Dragon in the SY-3 and narrowly achieves victory for the human race. The Fire Dragon is revealed to be a flaming Kilaak saucer and is destroyed. With the Kilaaks defeated, Godzilla and the other monsters eventually return to Monster Island to live in peace. 

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Jet Jaguar as featured in the film. In the first part of 1971 (197X in the Japanese version), the most recent underground nuclear test, set off near the Aleutians, sends shockwaves as far across the globe as Monster Island in the South Pacific, disturbing monsters such as Godzilla, Anguirus, and Rodan. For years, Seatopia, an undersea civilization, has been heavily affected by this nuclear testing conducted by the surface nations of the world. Upset by these tests, the Seatopians plan to unleash their civilization's beetle-styled god, Megalon, to destroy the surface world out of vengeance. On the surface, an inventor named Goro Ibuki, his nephew Rokuro, and Goro's friend Hiroshi Jinkawa are off on an outing near a lake when Seatopia makes itself known to the Earth by drying up the lake the trio was relaxing nearby and using it as a base of operation. As they return home they are ambushed by agents of Seatopia who are trying to steal Jet Jaguar, a humanoid robot under construction by the trio of inventors. However the agents' first attempt is botched and they are forced to flee to safety. Some time later, Jet Jaguar is completed but the trio of inventors are knocked unconscious by the returning Seatopian agents. The agents' plan is to use Jet Jaguar to guide and direct Megalon to destroy whatever city Seatopia commands him to do. Goro and Rokuro are sent to be killed, while Hiroshi is taken hostage. Megalon is finally released to the surface while Jet Jaguar is put under the control of the Seatopians and is used to guide Megalon to attack Tokyo with the Japan Self Defense Forces failing to defeat the monster. Eventually, the trio of heroes manage to escape their situation with the Seatopians and reunite to devise a plan to send Jet Jaguar to get Godzilla's help using Jet Jaguar's secondary control system. After uniting with Japan's Defense Force, Goro manages to regain control of Jet Jaguar and sends the robot to Monster Island to bring Godzilla to fight Megalon. Without a guide to control his actions, Megalon flails around relentlessly and aimlessly fighting with the Defense Force and destroying the outskirts of Tokyo. The Seatopians learn of Jet Jaguar's turn and thus send out a distress call to their allies, the Space Hunter Nebula M aliens (from the previous film) to send the alien dinosaur Gigan to assist their allies. As Godzilla journeys to fight Megalon, Jet Jaguar starts acting on his own and ignoring commands to the surprise of his inventors, and grows to gigantic proportions to face Megalon himself until Godzilla arrives. The battle is roughly at a standstill between robot and cyborg, until Gigan arrives and both Megalon and Gigan double team against Jet Jaguar. Godzilla finally arrives to assist Jet Jaguar and the odds become even. After a long and brutal fight, Gigan and Megalon both retreat and Godzilla and Jet Jaguar shake hands on a job well done. Jet Jaguar bids Godzilla farewell and Godzilla returns to his home on Monster Island. Jet Jaguar returns to his previous human-sized state and reverts back to being just a robot. 

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In the aftermath of Godzilla's attack on Tokyo and later imprisonment at Mount Mihara, the monster's cells are secretly delivered to the Saradia Institute of Technology and Science, where they are to be merged with genetically modified plants in the hope of transforming Saradia's deserts into fertile land and ending the country's economic dependence on oil wells. Dr. Genshiro Shiragami and his daughter, Erika, are enlisted to aid with the project. However, a terrorist bombing destroys the institute's laboratory, ruining the cells and killing Erika. In 1990, Shiragami has returned to Japan and merged some of Erika's cells with those of a rose in an attempt to preserve her soul. Scientist Kazuhito Kirishima and Lieutenant Goro Gondo of the Japan Self-Defense Forces (JSDF) are using the Godzilla cells they collected to create "Anti-Nuclear Energy Bacteria", hoping it can serve as a weapon against Godzilla should he return. They attempt to recruit Shiragami to aid them, but are rebuffed. Meanwhile, international tensions increase over the Godzilla cells, as they are coveted by both the Saradia Institute of Technology and Science and the American Bio- Major organization. An explosion from Mount Mihara causes tremors across the area, including Shiragami's home, badly damaging the roses. Shiragami agrees to join the JSDF's effort and is given access to the Godzilla cells, which he secretly merges with one of the roses. A night later, rival Bio-Major and Saradian agents break into Shiragami's lab, but are attacked by a large plant- like creature which later escapes to Lake Ashino and is named "Biollante" by Shiragami. Bio-Major agents plant explosives around Mount Mihara and blackmails the Diet of Japan, warning the explosives will be detonated and thus free Godzilla if the cells are not handed over. Kirishima and Gondo attempt to trade, but Saradian agent SSS9 thwarts the attempt and escapes with the cells. The explosives are detonated, and Godzilla is released. He attempts to reach the nearest power plant to replenish his supply of nuclear energy, but Biollante calls out to him. Godzilla arrives at the lake to engage Biollante in a vicious battle, and emerges as the victor. Godzilla proceeds toward the power plant at Tsuruga, but psychic Miki Saegusa uses her powers to divert him toward Osaka instead. The city is quickly evacuated before Godzilla makes landfall. A team led by Gondo meet Godzilla at the central district and fire rockets infused with the anti-nuclear bacteria into his body. Gondo is killed in the process, and an unharmed Godzilla leaves. Kirishima recovers the cells and returns them to the JSDF. Shiragami theorizes that if Godzilla's body temperature is increased, the bacteria should work against it. The JSDF erects microwave-emitting plates during an artificial thunderstorm, hitting Godzilla with lightning and heating up his body temperature during a battle in the mountains outside Osaka. Godzilla is only moderately affected, but Biollante arrives to engage him in battle once again. The fight ends after Godzilla fires an atomic heat ray inside Biollante's mouth. An exhausted Godzilla collapses on the beach, and Biollante disintegrates into the sky, forming an image of Erika among the stars. Shiragami, watching the scene, is killed by SSS9. Kirishima chases the assassin and, after a brief scuffle, SSS9 is killed by a microwave-emitting plate activated by Sho Kuroki. Godzilla reawakens and leaves for the ocean. 

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Continuing after the end of the events of Godzilla vs. Mechagodzilla, Interpol agents, led by Inspector Kusaka, search for the pieces of Mechagodzilla at the bottom of the Okinawan Sea. Using the submarine Akatsuki, they hope to gather information on the robot's builders, the alien Simeons. The Akatsuki is suddenly attacked by a giant aquatic dinosaur called Titanosaurus and the crew vanishes. Interpol starts an investigation into the incident. With the help of marine biologist Akira Ichinose, they trace Titanosaurus to a reclusive, mad scientist named Shinzô Mafune, who wants to destroy all mankind. While Ichinose is visiting his old home in the seaside forest of Manazuru, they meet Mafune's lone daughter, Katsura. She tells them that not only is her father dead, but she burned all of the notes about the giant dinosaur (at her father's request). Unbeknownst to them, Mafune is still alive and well. He is visited by his friend Tsuda, who is an aide to the alien leader Mugal. He is leading the project to quickly rebuild Mechagodzilla. Mugal offers their services to Mafune, so that his Titanosaurus and their Mechagodzilla 2 (which is even more powerful than the original) will be the ultimate weapons. They hope to wipe out mankind and rebuild the world for themselves, starting with Tokyo and branching out from there. But things become complicated for both factions when Ichinose falls in love with Katsura and unwittingly gives her Interpol's information against Titanosaurus, the new Mechagodzilla and the aliens. It is also discovered that Katsura is actually a cyborg, due to undergoing surgery after nearly being killed during one of her father's experiments when she was a child, and Mugal still has uses for her. Meanwhile, Mafune is desperate to unleash Titanosaurus without the aliens' permission, so he releases it on Yokosuka one night. By then, Interpol discovers that supersonic waves are Titanosaurus' weakness. They have a supersonic wave oscillator ready, but Katsura sabotages the machine before they can use it. Fortunately, Godzilla arrives to fight off Titanosaurus and easily defeats him, causing him to retreat back to the sea. Later, when Ichinose visits Katsura, he is captured by the aliens. Tied up, Ichinose can only watch as Mafune and the aliens unleash Mechagodzilla 2 and Titanosaurus on Tokyo, while Interpol struggles to repair their supersonic wave oscillator and the Japanese armed forces struggle to keep the two monsters at bay. Katsura, while being controlled by Mugal, ignores Ichinose's pleas and controls both the dinosaur and the robot as they destroy the city. Godzilla comes to the rescue, although at first he is outmatched by the two titans. While Interpol distracts Titanosaurus with the repaired supersonic wave oscillator, Godzilla is able to focus on attacking Mechagodzilla 2. Interpol agents infiltrate the aliens' hideout, rescue Ichinose, and kill Mafune and many of the aliens. The remaining aliens attempt to escape in their ships, but Godzilla shoots them down with his atomic heat ray. The wounded Katsura, while being embraced by Ichinose, shoots herself in order to destroy Mechagodzilla 2's control device (which had been implanted in her body earlier by the aliens). This allows Godzilla to destroy the robot, which short-circuits and is tossed by him into a huge chasm made by the battle, after which Godzilla blasts it with his atomic heat ray, causing it to explode into little pieces of metal again, which are then buried within the chasm at the same time. Godzilla, with the help of the oscillator, then defeats Titanosaurus and heads back to the sea. 

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In 1992, science fiction writer Kenichiro Terasawa is writing a book about Godzilla and learns of a group of Japanese soldiers stationed on Lagos Island during the Gilbert and Marshall Islands campaign. In February 1944, while threatened by American soldiers, the Japanese soldiers were saved by a mysterious dinosaur. He theorizes that the dinosaur was subsequently mutated into Godzilla in 1954 after a hydrogen bomb test on the island. Yasuaki Shindo, a wealthy businessman who commanded the Japanese soldiers on Lagos Island, confirms that the dinosaur did indeed exist. Meanwhile, a UFO lands on Mount Fuji. When the Japanese army investigates, they are greeted by Wilson, Grenchiko, Emmy Kano and the android M-11. The visitors, known as the "Futurians", explain that they are humans from the year 2204, where Godzilla has completely destroyed Japan. The Futurians plan to travel back in time to 1944 and remove the dinosaur from Lagos Island before the island is irradiated in 1954, thus preventing the mutation of the creature into Godzilla. As proof of their story, Emmy presents a copy of Terasawa's book, which has not yet been completed in the present. The Futurians, Terasawa, Miki Saegusa, and Professor Mazaki, board a time shuttle and travel back to 1944 to Lagos Island. There, as American forces land and engage the Japanese forces commanded by Shindo, the dinosaur attacks and kills the American soldiers. The American navy then bombs the dinosaur from the sea and gravely wounds it. After Shindo and his men leave the island, M-11 teleports the dinosaur from Lagos Island to the Bering Strait. Before returning to 1992, the Futurians secretly leave three small creatures called Dorats on Lagos Island, which are exposed to radiation from the hydrogen bomb test in 1954 and merge to become King Ghidorah, which then appears in present-day Japan. After returning to 1992, the Futurians use King Ghidorah to subjugate Japan and issue an ultimatum, but Japan refuses to surrender. Feeling sympathy for the Japanese people, Emmy reveals to Terasawa the truth behind the Futurians' mission: in the future, Japan is an economic superpower that has surpassed the United States, Russia, and China. The Futurians traveled back in time in order to change history and prevent Japan's future economic dominance by creating King Ghidorah and using it to destroy present day Japan. At the same time, they also planned to erase Godzilla from history so it would not pose a threat to their plans. After M-11 brings Emmy back to the UFO, she reprograms the android so it will help her. Terasawa discovers that a Russian nuclear submarine sank in the Bering Strait in the 1970s and released enough radiation to mutate the dinosaur into Godzilla. Shindo plans to use his nuclear submarine to rejuvenate Godzilla. En route to the Bering Strait, Shindo's submarine is destroyed by Godzilla, who absorbs its radiation and becomes larger and more powerful. Godzilla arrives in Japan and is met by King Ghidorah. They fight at equal strength, each immune to the other's attacks. With M-11 and Terasawa's aid, Emmy sabotages the UFO's control over King Ghidorah, causing the three-headed monster to lose focus during the battle. Godzilla eventually ends the battle by blasting off Ghidorah's middle head. Before sending King Ghidorah crashing into the ocean, Godzilla destroys the UFO, killing Wilson and Grenchiko before turning its attention on Tokyo, destroying the city and killing Shindo. Emmy travels to the future with M-11 and returns to the present day with Mecha-King Ghidorah, a cybernetic version of King Ghidorah. The cybernetic Ghidorah blasts Godzilla with energy beams, which proves useless. Godzilla then counters by relentlessly blasting Ghidorah with its atomic breath before Ghidorah launches clamps to restrain Godzilla. Ghidorah carries Godzilla out of Japan, but Godzilla breaks from its restraints and causes Ghidorah to send both crashing into the ocean. Emmy then returns to the future but not before informing Terasawa that she is his descendant. At the bottom of the ocean, Godzilla awakens and roars over Ghidorah's remains before swimming away. 

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Battra, as it appears in the film. In mid-1992, following the events of Godzilla vs. King Ghidorah, a meteoroid crashes in the Ogasawara Trench and awakens Godzilla. Six months later, explorer Takuya Fujito is detained after stealing an ancient artifact. Later, a representative of the Japanese Prime Minister offers to have Takuya's charges dropped if he explores Infant Island with his ex-wife, Masako Tezuka and Kenji Ando, the secretary of the rapacious Marutomo company. After the trio arrives on the island, they find a cave containing a depiction of two giant insects in battle. Further exploration leads them to a giant egg and a pair of diminutive humanoids called Cosmos, who identify the egg as belonging to Mothra. The Cosmos tell of an ancient civilization that tried to control the Earth's climate, thus provoking the Earth into creating Battra, which became uncontrollable, and started to harm the very planet that created him. Mothra, another earth protector, fought an apocalyptic battle with Battra, who eventually lost. The Cosmos explain how the meteoroid uncovered Mothra's egg, and may have awoken Battra, who is still embittered over humanity's interference in the Earth's natural order. The Marutomo company sends a freighter to Infant Island to pick up the egg, ostensibly to protect it. As they are sailing, Godzilla surfaces and heads toward the newly hatched Mothra larva. Battra, also as a larva, soon appears and joins the fight, allowing Mothra to retreat. The battle between Godzilla and Battra is eventually taken underwater, where the force of the battle causes a giant crack on the Philippine Sea Plate that swallows the two. Masako and Takuya later discover Ando's true intentions when he kidnaps the Cosmos and takes them to Marutomo headquarters, where the CEO intends to use them for publicity purposes. Mothra enters Tokyo in an attempt to rescue the Cosmos, but is attacked by the JSDF. The wounded Mothra heads for the National Diet Building and starts constructing a cocoon around herself. Meanwhile, Godzilla surfaces from Mount Fuji. Both Mothra and Battra attain their imago forms and converge at Yokohama Cosmo World. Godzilla interrupts the battle and attacks Battra. The two moths decide to join forces against Godzilla. Eventually, Mothra and Battra overwhelm Godzilla and carry him over the ocean. Godzilla bites Battra's neck and fires his atomic breath into the wound, killing Battra. A tired Mothra drops Godzilla and the lifeless Battra into the water below, sealing Godzilla below the surface by creating a mystical glyph with scales from her wings. The next morning, the Cosmos explain that Battra had been waiting many years to destroy an even larger meteoroid that would threaten the Earth in 1999. Mothra had promised she would stop the future collision if Battra were to die, and she and the Cosmos leave Earth as the humans bid farewell. 

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When the Japanese freighter Eiko-maru is destroyed near Odo Island, another ship – the Bingo-maru – is sent to investigate, only to meet the same fate with few survivors. A fishing boat from Odo is also destroyed, with one survivor. Fishing catches mysteriously drop to zero, blamed by an elder on the ancient sea creature known as "Godzilla". Reporters arrive on Odo Island to further investigate. A villager tells one of the reporters that something in the sea is ruining the fishing. That evening, a storm strikes the island, destroying the reporters' helicopter, and Godzilla, briefly seen, destroys 17 homes and kills nine people and 20 of the villagers' livestock. Odo residents travel to Tokyo to demand disaster relief. The villagers' and reporters' evidence describes damage consistent with something large crushing the village. The government sends paleontologist Kyohei Yamane to lead an investigation on the island, where giant radioactive footprints and a trilobite are discovered. The village alarm bell is rung and Yamane and the villagers rush to see the monster, retreating after seeing that it is a giant dinosaur. Yamane presents his findings in Tokyo, estimating that Godzilla is 50 m tall and is evolved from an ancient sea creature becoming a terrestrial creature. He concludes that Godzilla has been disturbed by underwater hydrogen bomb testing. Debate ensues about notifying the public about the danger of the monster. Meanwhile, 17 ships are lost at sea. Ten frigates are dispatched to attempt to kill the monster using depth charges. The mission disappoints Yamane, who wants Godzilla to be studied. When Godzilla survives the attack, officials appeal to Yamane for ideas to kill the monster, but Yamane tells them that Godzilla is unkillable, having survived H-bomb testing, and must be studied. Yamane's daughter, Emiko, decides to break off her arranged engagement to Yamane's colleague, Daisuke Serizawa, because of her love for Hideto Ogata, a salvage ship captain. When a reporter arrives and asks to interview Serizawa, Emiko escorts the reporter to Serizawa's home. After Serizawa refuses to divulge his current work to the reporter, he gives Emiko a demonstration of his recent project on the condition that she must keep it a secret. The demonstration horrifies her and she leaves without breaking off the engagement. Shortly after she returns home, Godzilla surfaces from Tokyo Bay and attacks Shinagawa. After attacking a passing train, Godzilla returns to the ocean. After consulting with international experts, the Japanese Self- Defense Forces construct a 30 m tall and 50,000 volt electrified fence along the coast and deploy forces to stop and kill Godzilla. Dismayed that there is no plan to study Godzilla for its resistance to radiation, Yamane returns home, where Emiko and Ogata await, hoping to get his consent for them to wed. When Ogata disagrees with Yamane, arguing that the threat that Godzilla poses outweighs any potential benefits from studying the monster, Yamane tells him to leave. Godzilla resurfaces and breaks through the fence to Tokyo with its atomic breath, unleashing more destruction across the city. Further attempts to kill the monster with tanks and fighter jets fail and Godzilla returns to the ocean. The day after, hospitals and shelters are crowded with the maimed and the dead, with some survivors suffering from radiation sickness. Distraught by the devastation, Emiko tells Ogata about Serizawa's research, a weapon called the "Oxygen Destroyer", which disintegrates oxygen atoms and causes organisms to die of a rotting asphyxiation. Emiko and Ogata go to Serizawa to convince him to use the Oxygen Destroyer but he initially refuses, explaining that if he uses the device, the superpowers of the world will surely force him to construct more Oxygen Destroyers for use as a superweapon. After watching a program displaying the nation's current tragedy, Serizawa finally accepts their pleas. As Serizawa burns his notes, Emiko breaks down crying. A navy ship takes Ogata and Serizawa to plant the device in Tokyo Bay. After finding Godzilla, Serizawa unloads the device and cuts off his air support, taking the secret of the Oxygen Destroyer to his grave. Godzilla is destroyed, but many mourn Serizawa's death. Yamane believes that if nuclear weapons testing continues, another Godzilla may rise in the future. 

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The Japanese fishing vessel Yahata-Maru is caught in strong currents off the shores of Daikoku Island. As the boat drifts into shore, the island begins to erupt, and a giant monster lifts itself out of the volcano. A few days later, reporter Goro Maki is sailing in the area and finds the vessel intact but deserted. As he explores the vessel, he finds all the crew dead except for Hiroshi Okumura, who has been badly wounded. Suddenly a giant Shockirus sea louse attacks him but he is saved by Okumura. In Tokyo, Okumura realizes by looking at pictures that the monster he saw was a new Godzilla. Maki writes an article about the account, but the news of Godzilla's return is kept secret and his article is withheld. Maki visits Professor Hayashida, whose parents were lost in the 1954 Godzilla attack. Hayashida describes Godzilla as a living, invincible nuclear weapon able to cause mass destruction. At Hayashida's laboratory, Maki meets Okumura's sister, Naoko, and informs her that her brother is alive and at the police hospital. A Soviet submarine is destroyed in the Pacific. The Soviets believe the attack was perpetrated by the Americans, and a diplomatic crisis ensues, which threatens to escalate into nuclear war. The Japanese intervene and reveal that Godzilla was behind the attacks. The Japanese cabinet meets to discuss Japan's defense. A new weapon is revealed, the Super X, a specially-armored flying fortress that will defend the capital. The Japanese military is put on alert. Godzilla attacks the Ihama nuclear power plant in Shizuoka Prefecture. While feeding off the reactor, he is distracted by a flock of birds and leaves the facility. Hayashida believes that Godzilla was distracted instinctively by a homing signal from the birds. Hayashida, together with geologist Minami, propose to the Japanese Cabinet, that Godzilla could be lured back to Mount Mihara on Ōshima Island by a similar signal, and a volcanic eruption could be started, capturing Godzilla. Prime Minister Mitamura meets with Soviet and American envoys and declares that nuclear weapons will not be used on Godzilla, even if he were to attack the Japanese mainland. Meanwhile, the Soviets have their own plans to counter the threat posed by Godzilla, and a Soviet control ship disguised as a freighter in Tokyo Harbor prepares to launch a nuclear missile from one of their orbiting satellites should Godzilla attack. Godzilla is sighted at dawn in Tokyo Bay heading towards Tokyo, causing mass evacuations. The JASDF attacks Godzilla but fails to stop his advance on the city. Godzilla soon emerges and makes short work of the JSDF stationed there. The battle causes damage to the Soviet ship and starts a missile launch count-down. The captain dies as he attempts to stop the missile from launching. Godzilla proceeds towards Shinjuku, wreaking havoc along the way. There, he is confronted by four laser-armed trucks and the Super X. Because Godzilla's heart is similar to a nuclear reactor, the cadmium shells that are fired into his mouth by the Super X seal and slow down his heart, knocking him unconscious. The countdown ends and the Soviet missile is launched, but it is destroyed by an American counter-missile. Hayashida and Okumura are extracted from Tokyo via helicopter and taken to Mt. Mihara to set up the homing device before the two missiles collide above Tokyo. The destruction of the nuclear missile produces an electrical storm and an EMP, which revives Godzilla once more and temporarily disables the Super X. Godzilla and the Super X battle through the streets. Godzilla finally destroys the Super X and continues his rampage, until Hayashida uses the homing device to distract him. Godzilla leaves Tokyo and swims across Tokyo Bay, following the homing device to Mount Mihara. There, Godzilla follows the device and falls into the mouth of the volcano. Okumura activates detonators at the volcano, creating a controlled eruption that traps Godzilla inside. 

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Harriet Vane returns with trepidation to her alma mater, Shrewsbury College, Oxford to attend the Gaudy dinner. Expecting hostility because of her notoriety (she had stood trial for murder in an earlier novel, Strong Poison), she is surprised to be welcomed warmly by the dons, and rediscovers her old love of the academic life. Harriet's short stay is, however, marred by her discovery of a sheet of paper with an offensive drawing, and a poison pen message referring to her as a "dirty murderess". Some time later the Dean of Shrewsbury writes to ask for her help. There has been an outbreak of vandalism and anonymous letters, and fearing for the college's reputation if this becomes public knowledge, the Dean wants someone to investigate confidentially. Harriet, herself a victim of poison-pen letters since her trial, reluctantly agrees, and returns to spend some months in residence, ostensibly to do research on Sheridan Le Fanu and to assist a don with her book. The timing of the first poison pen message during the gaudy, and the use of a Latin quotation from the Iliad during one disturbance, focuses suspicion on the Senior Common Room dons, causing escalating tensions. As Harriet wrestles with the case, trying to narrow down the list of suspects who might be responsible for poison-pen messages, obscene graffiti, wanton vandalism including the destruction of a set of scholarly proofs, and the crafting of vile effigies, she is forced to examine her ambivalent feelings about Wimsey, about love and marriage, and about her attraction to academia as an intellectual and emotional refuge. Wimsey eventually arrives in Oxford to help, and she gains a new perspective from those who know him, including his nephew, an undergraduate at the university. The attacks build to a crisis. There is an attempt to drive a vulnerable student to suicide and a physical assault on Harriet that almost kills her. The perpetrator is finally unmasked as Annie Wilson, one of the college scouts, revealed to be the widow of a disgraced University of York academic. Her husband's academic fraud had been exposed by an examiner, destroying his career and driving him to suicide; his suicide note used the Latin quote eventually used by Wilson. The examiner later moved to Shrewsbury College, and the widow's campaign has been her revenge against the examiner in particular and more generally against intellectual women who move outside what she sees as their proper domestic sphere. At the end of the book, with Wimsey admitting his own faults in his attempts at courtship and having come to terms with her own feelings, Harriet finally accepts Wimsey's proposal of marriage. 

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A Song of Ice and Fire takes place in a fictional world in which seasons last for years and end unpredictably. Nearly three centuries before the events of the first novel, the Seven Kingdoms of Westeros were united under the Targaryen dynasty, establishing military supremacy through their control of dragons. The Targaryens ruled for three hundred years, continuing past the extinction of the dragons. Their dynasty eventually ended with a rebellion led by Lord Robert Baratheon, in which Aerys "the Mad King" Targaryen was killed and Robert proclaimed king of the Seven Kingdoms. At the beginning of A Game of Thrones, 15 years have passed since Robert's rebellion, with a nine-year-long summer coming to an end. The principal story chronicles the power struggle for the Iron Throne among the great Houses of Westeros following the death of King Robert in A Game of Thrones. Robert's heir apparent, the 13-year-old Joffrey, is immediately proclaimed king through the machinations of his mother, Queen Cersei Lannister. When Lord Eddard "Ned" Stark, Robert's closest friend and chief advisor, discovers that Joffrey and his siblings are the product of incest between Cersei and her twin brother Ser Jaime Lannister, Eddard attempts to unseat Joffrey, but is betrayed and executed for treason. In response, Robert's brothers Stannis and Renly both lay separate claims to the throne. During this period of instability, two of the Seven Kingdoms of Westeros attempt to become independent from the Iron Throne: Eddard's eldest son Robb is proclaimed King in the North, while Lord Balon Greyjoy desires to recover the sovereignty of his region, the Iron Islands. The so-called "War of the Five Kings" is in full progress by the middle of the second book, A Clash of Kings. The second part of the story takes place in the far north of Westeros, where an 8,000-year-old wall of ice, simply called "the Wall", defends the Seven Kingdoms from supernatural creatures known as the Others. The Wall's sentinels, the Sworn Brotherhood of the Night's Watch, also protect the realm from the incursions of the "wildlings" or "Free Folk", who are several human tribes living on the north side of the Wall. The Night's Watch story is told primarily through the point of view of Jon Snow, Lord Eddard Stark's bastard son. Jon follows the footsteps of his uncle Benjen Stark and joins the Watch at a young age, rising quickly through the ranks. He eventually becomes Lord Commander of the Night's Watch. In the third volume, A Storm of Swords, the Night's Watch storyline becomes increasingly entangled with the War of the Five Kings. The third storyline follows Daenerys Targaryen, daughter of Aerys II, the last Targaryen king. On the continent of Essos, east of Westeros across the Narrow Sea, Daenerys is married off by her elder brother Viserys Targaryen to a powerful warlord, but slowly becomes an independent and intelligent ruler in her own right. Her rise to power is aided by the historic birth of three dragons, hatched from eggs given to her as wedding gifts. The three dragons soon become not only a symbol of her bloodline and her claim to the throne, but also devastating weapons of war, which help her in the conquest of Slaver's Bay. 

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In the distant future, Mankind has colonized space, with clusters of space colonies at each of the five Earth- Moon Lagrange points. Down on the Earth, the nations have come together to form the United Earth Sphere Alliance. This Alliance oppresses the colonies with its vast military might. The colonies wishing to be free, join together in a movement headed by the pacifist Heero Yuy. In the year After Colony 175, Yuy is shot dead by an assassin, forcing the colonies to search for other paths to peace. The assassination prompts five disaffected scientists from the Organization of the Zodiac, more commonly referred to as OZ, to turn rogue upon the completion of the mobile suit prototype Tallgeese. The story of Gundam Wing begins in the year After Colony 195, with the start of "Operation Meteor": the scientists' plan for revenge against OZ. The operation involves five teenage boys, who have each been chosen and trained by each of the five scientists, then sent to Earth independently in extremely advanced mobile suits (one designed by each of the scientists) known as "Gundams" (called such because they are constructed from a rare and astonishingly durable material called Gundanium alloy, which can only be created in outer space). Each Gundam is sent from a different colony, and the pilots are initially unaware of each other's existence. The series focuses primarily on the five Gundam pilots: Heero Yuy (an alias, not to be confused with the martyred pacifist), Duo Maxwell, Trowa Barton, Quatre Raberba Winner and Chang Wufei. Their mission is to use their Gundams to attack OZ directly, in order to rid the Alliance of its weapons and free the colonies from its oppressive rule. The series also focuses on Relena Peacecraft, heir to the pacifist Sanc Kingdom, who becomes an important political ally to the Gundam pilots (particularly Heero) over the course of the series. 

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Leto II Atreides, the God Emperor, has ruled the universe as a tyrant for 3,500 years after becoming a hybrid of human and giant sandworm in Children of Dune. The death of all other sandworms, and his control of the remaining supply of the all-important drug melange, has allowed him to keep civilization under his complete command. Leto has been physically transformed into a worm, retaining only his human face and arms, and though he is now seemingly immortal and invulnerable to harm, he is prone to instinct-driven bouts of violence when provoked to anger. As a result, his rule is one of religious awe and despotic fear. Leto has disbanded the Landsraad to all but a few Great Houses; the remaining powers defer to his authority, although they individually conspire against him in secret. The Fremen have long since lost their identity and military power, and have been replaced as the Imperial army by the Fish Speakers, an all-female army who obey Leto without question. He has rendered the human population into a state of trans-galactic stagnation; space travel is non-existent to most people in his Empire, which he has deliberately kept to a near-medieval level of technological sophistication. All of this he has done in accordance with a prophecy divined through precognition that will establish an enforced peace preventing humanity from destroying itself through aggressive behavior. The desert planet Arrakis has been terraformed into a lush forested biosphere, except for a single section of desert retained by Leto for his Citadel. A string of Duncan Idaho gholas have served Leto over the millennia, and Leto has also fostered the bloodline of his twin sister Ghanima. Her descendant Moneo is Leto's majordomo and closest confidante, while Moneo's daughter Siona has become the leader of an Arrakis-based rebellion against Leto. She steals a set of secret records from his archives, not realizing that he has allowed it. Leto intends to breed Siona with the latest Duncan ghola, but is aware that the ghola, moved by his own morality, may try to assassinate him before this can occur. The Ixians send a new ambassador named Hwi Noree to serve Leto, and though he realizes that she has been specifically designed and trained to ensnare him, he cannot resist falling in love with her. She agrees to marry him. Leto tests Siona by taking her out to the middle of the desert. After improperly using her stillsuit to preserve moisture, dehydration forces her to accept Leto's offer of spice essence from his body to replenish her. Awakened to Leto's prophecy, known as the Golden Path, the experience convinces Siona of the importance of the Golden Path. She remains dedicated to Leto's destruction, and an errant rainstorm demonstrates for her his mortal vulnerability to water. Siona and Idaho overcome a searing mutual hatred of each other to plan an assassination. As Leto's wedding procession moves across a high bridge over a river, Siona's associate Nayla destroys the support beams with a lasgun. The bridge collapses and Leto's entourage, including Hwi, plunge to their deaths into the river below. Leto's body rends apart in the water; the sandtrout which are part of his body encyst the water and scurry off, while the worm portion burns and disintegrates on the shore. A dying Leto reveals his secret breeding program among the Atreides to produce a human who is invisible to prescient vision. Siona is the finished result, and she and her descendants will retain this ability. He explains that humanity is now free to scatter throughout the universe, never again to face complete destruction. After revealing the location of his secret spice hoard, Leto dies, leaving Duncan and Siona to face the task of managing the empire. 

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The film begins with a narrator, called The Scientist (Bela Lugosi), making cryptic comments about humanity. He first comments that humanity's constant search for the unknown results in startling things coming to light. But most of these "new" discoveries are actually quite old, which he refers to as "the signs of the ages". Later, the scene turns to the streets of a city, with the narrator commenting that each human has his/her own thoughts, ideas, and personality. He makes further comments on human life, while sounds accompany some comments. The cries of a newborn baby are followed by the sirens of an ambulance. One is a sign that a new life has begun, the other that a life has ended.Craig (2009), p. 30-68 This last comment starts the narrative of the film. The life which has ended is that of a transvestite named Patrick/Patricia, who has committed suicide. A scene opens with their corpse in a small room. Within the room is an unidentified man who opens the door to a physician, a photographer, and the police. A suicide note explains the reasons behind the suicide. Patrick/Patricia had been arrested four times for cross-dressing in public, and had spent time in prison. Since they would continue wearing women's clothing, subsequent arrests and imprisonment were only a matter of time. So they ended their own life and wished to be buried with their women's clothing. "Let my body rest in death forever, in the things I cannot wear in life."Craig (2009), p. 30-68 Inspector Warren is puzzled and wants to know more about cross-dressing. So he seeks the office of Dr. Alton, who narrates for him the story of Glen/Glenda. Glen is shown studying women's clothes in a shop window. Dr. Alton points out that men's clothes are dull and restrictive, whereas women can adorn themselves with attractive and comfortable clothing.Craig (2009), p. 30-68 A flashback scene reveals that a young Glen started out by asking to wear his sister's dress for a Halloween party. And he did, despite his father's protests. But he then continued wearing his sister's clothing, and Sheila (the sister) eventually caught him in the act. She shuns him afterward.Craig (2009), p. 30-68 The narrative explains that Glen is a transvestite, but not a homosexual. He hides his cross-dressing from his fiancée, Barbara, fearing that she will reject him.Craig (2009), p. 30-68 She has no idea that certain of her clothes are fetish objects for him. When Barbara notices that something is bothering him, Glen does not have the courage to explain his secret to her. She voices her suspicion that there is another woman in his life, unaware that the woman is his feminine alter ego, Glenda.Craig (2009), p. 30-68 The scene shifts from a speechless Glen to footage of a stampeding herd of bison, while the Scientist calls for Glen to "Pull the string". The meaning of the call is unclear, though it could be a call for opening the proverbial curtain and revealing the truth.Craig (2009), p. 30-68 Alton narrates that Glen is torn between the idea of being honest with Barbara before their wedding, or waiting until after. The narrative shifts briefly from Glen's story to how society reacts to sex change operations. A conversation between two "average joes", concludes that society should be more "lenient" when it comes to people with tranvestite tendencies.Craig (2009), p. 30-68 The story returns to Glen, who confides in a transvestite friend of his, John, whose wife left him after catching him wearing her clothes.Craig (2009), p. 30-68 Later, a scene opens with Glen/Glenda walking the city streets at night. They return home in obvious anguish, when the sound of thunder causes them to collapse to the floor. The Scientist cryptically comments "Beware! Beware! Beware of the big, green dragon that sits on your doorstep! He eats little boys, puppy dog tails, and big, fat snails! Take care! Beware!"Craig (2009), p. 30-68 This serves as the introduction to an extended dream sequence. The dream opens with Barbara anguished at seeing Glenda. Then Barbara is depicted trapped under a tree, while the room around is in a chaotic state. Glenda fails to lift the tree and rescue Barbara. Glenda is replaced by Glen, who completes the task with ease.Craig (2009), p. 30-68 The dream then depicts Glen and Barbara getting married. The priest seems normal but the best man is a stereotypical devil, smiling ominously, suggesting that this marriage is damned.Craig (2009), p. 30-68 The dream shifts to the Scientist, who seems to speak to the unseen dragon, asking it what it eats. The voice of a little girl provides the answers in an apparently mocking tone.Craig (2009), p. 30-68 The dreams continues with a strange series of vignettes. A woman is whipped by a shirtless man in a BDSM-themed vignette. Several women "flirt and partially disrobe" for an unseen audience. A woman tears apart her dress in a dramatic manner, then starts a coy striptease.Craig (2009), p. 30-68 The whipped woman from an earlier vignette appears alone in an autoerotic session. Her pleasure is interrupted by another woman who forcibly binds and gags her.Craig (2009), p. 30-68 Another woman has a similar autoerotic session and then falls asleep. As she sleeps, a predatory male approaches and rapes her, with the victim seeming partially willing by the end of it.Craig (2009), p. 30-68 Throughout these vignettes, the faces of Glen and the Scientist appear. They seem to be silently reacting to the various images.Craig (2009), p. 30-68 The dream returns to Glen, who is haunted by sounds of mocking voices and howling winds. He is soon confronted by two spectral figures. A blackboard appears, with messages recording what the Scientist or the mocking voices said in previous scenes. A large number of spectres appear, all gazing at him with disapproval, as if serving as the jury of public opinion on his perceived deviance. The mocking voices return.Craig (2009), p. 30-68 The Devil and the various spectres menacingly approach Glen. Then the Devil departs, Glen turns into Glenda, and the spectres retreat.Craig (2009), p. 30-68 A victorious Glenda sees Barbara and approaches her, but she turns into a mocking Devil. Barbara starts appearing and disappearing, always evading Glenda's embrace. Then she starts mocking her lover. The Devil and spectres also shift to mocking Glenda. The dream sequence ends.Craig (2009), p. 30-68 Glen/Glenda wakes and stares at their mirror reflection. They decide to tell Barbara the truth. She initially reacts with distress, but ultimately decides to stay with him. She offers them an angora sweater as a sign of acceptance. The scene effectively concludes their story.Craig (2009), p. 30-68 Back in Dr. Alton's office, he starts another narrative. This one concerns another tranvestite, called Alan/Anne. He was born a boy, but his mother wanted a girl and raised him as such. Their father did not care either way. They were an outsider as a child, trying to be one of the girls and consequently rejected by schoolmates of both sexes. As a teenager, they self-identified as a woman. They were conscripted in World War II, maintaining a secret life throughout their military service. They first heard of sex change operations during the War while recovering from combat wounds in a hospital. They eventually did have a sex change operation, enduring the associated pains to fulfill their dreams. The World War II veteran becomes a "lovely young lady".Craig (2009), p. 30-68 Following a brief epilogue, the film ends.Craig (2009), p. 30-68 

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King James's daughter Elizabeth, whom the conspirators planned to install on the throne as a Catholic queen. Portrait by Robert Peake the Elder, National Maritime Museum. The conspirators' principal aim was to kill King James, but many other important targets would also be present at the State Opening, including the monarch's nearest relatives and members of the Privy Council. The senior judges of the English legal system, most of the Protestant aristocracy, and the bishops of the Church of England would all have attended in their capacity as members of the House of Lords, along with the members of the House of Commons. Another important objective was the kidnapping of the King's daughter, Elizabeth. Housed at Coombe Abbey near Coventry, she lived only ten miles north of Warwick—convenient for the plotters, most of whom lived in the Midlands. Once the King and his Parliament were dead, the plotters intended to install Elizabeth on the English throne as a titular Queen. The fate of her brothers, Henry and Charles, would be improvised; their role in state ceremonies was, as yet, uncertain. The plotters planned to use Henry Percy, 9th Earl of Northumberland, as Elizabeth's regent, but most likely never informed him of this. 

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Harold Chasen is a young man obsessed with death. He stages elaborate shocking fake suicides, attends funerals, and drives a hearse, all to the chagrin of his cold, narcissistic, wealthy socialite mother. His mother sets up appointments with a psychoanalyst for him, but the analyst fails to get Harold to talk about his real emotions. She also sets him up with dates he does not want and buys him an expensive car that he hates. At a stranger's funeral service, Harold meets Maude, a seventy-nine-year-old woman who shares Harold's hobby of attending funerals. He is entranced by her quirky outlook on life, which is bright and excessively carefree in contrast with his morbidity. Maude lives in a decommissioned railroad car. She thinks nothing of breaking the law, including stealing cars, uprooting a tree from a public space to re-plant it, speeding, and parking on a city sidewalk. She and Harold form a bond and Maude shows Harold the pleasures of art and music (including how to play banjo), and teaches him how to make "the most of his time on earth." Meanwhile, Harold's mother is determined, against Harold's wishes, to find him a wife. One by one, Harold frightens and horrifies each of his appointed dates, by appearing to commit gruesome acts such as self-immolation, self-mutilation and seppuku. His mother tries enlisting him in the military by sending him to his uncle, who had served under General MacArthur in the Second World War and lost an arm, but Harold deters his recruiting-officer uncle by staging a scene in which Maude poses as a pacifist protester and Harold seemingly murders her out of militarist fanaticism. When Harold and Maude talk at her home he tells her, without prompting, the motive for his fake suicides: when he was at boarding school, he accidentally caused an explosion in his chemistry lab, leading police to assume that he had been killed. Harold had returned home just in time to witness his mother react to the news of his death by faking a ludicrously dramatized fainting. As he reaches this part of the story, Harold bursts into tears and says, "I decided then I enjoyed being dead." As they become closer, their friendship blossoms into a romance. Holding her hand, Harold discovers a number tattooed on her forearm, meaning that Maude is a survivor of the German Nazi death camps. Harold announces that he will marry Maude, resulting in disgusted outbursts from his family, analyst, and priest. Unbeknownst to Harold, Maude is secretly planning to commit suicide on her eightieth birthday. Maude's birthday arrives, and Harold throws a surprise party for her. As the couple dance, Maude tells Harold that she "couldn't imagine a lovelier farewell." Confused, he questions Maude as to her meaning and she reveals that she has taken an overdose of sleeping pills and will be dead by midnight. She restates her firm belief that eighty is the proper age to die. Harold rushes Maude to the hospital, where she refuses treatment and dies. In the final sequence, Harold's car is seen going off a seaside cliff but after the crash, the final shot reveals Harold standing calmly atop the cliff, holding his banjo. After gazing down at the wreckage, he dances away, picking out on his banjo Cat Stevens's song "If You Want to Sing Out, Sing Out", which Maude had played and sung for him. 

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Aboard the Nellie, anchored in the River Thames near Gravesend, Charles Marlow tells his fellow sailors how he became captain of a river steamboat for an ivory trading company. As a child, Marlow had been fascinated by "the blank spaces" on maps, particularly by the biggest, which by the time he had grown up was no longer blank but turned into "a place of darkness". Yet there remained a big river, "resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land". The image of this river on the map fascinated Marlow "as a snake would a bird". Feeling as though "instead of going to the centre of a continent I were about to set off for the centre of the earth", Marlow takes passage on a French steamer bound for the African coast and then into the interior. After more than thirty days the ship anchors off the seat of government near the mouth of the big river. Marlow, with to go yet, takes passage on a little sea-going steamer captained by a Swede. He departs some up the river where his company's station is. Work on the railway is going on, involving removal of rocks with explosives. Marlow enters a narrow ravine to stroll in the shade under the trees, and finds himself in "the gloomy circle of some Inferno": the place is full of diseased Africans who worked on the railroad and now lie sick and gaunt, awaiting death. Marlow witnesses the scene "horror-struck". Marlow must wait for ten days in the company's Outer Station. He sleeps in a hut. At this station, which strikes Marlow as a scene of devastation, he meets the company's impeccably dressed chief accountant who tells him of a Mr. Kurtz, who is in charge of a very important trading-post, and a widely respected, first-class agent, a "very remarkable person" who "Sends in as much ivory as all the others put together". The agent predicts that Kurtz will go very far: "He will be a somebody in the Administration before long. They, above—the Council in Europe, you know—mean him to be". Belgian river station on the Congo River, 1889 Marlow departs with a caravan of sixty men to travel on foot about into the wilderness to the Central Station, where the steamboat that he is to captain is based. On the fifteenth day of his march, he arrives at the station, which has some twenty employees and is shocked to learn from a fellow European that his steamboat has been wrecked in an accident two days earlier. He meets the general manager, who informs him that he could wait no longer for Marlow to arrive, because the up-river stations had to be relieved and tells him of a rumour that one important station is in jeopardy because its chief, the exceptional Mr. Kurtz, is ill. "Hang Kurtz", Marlow thinks, irritated. He fishes his boat out of the river and is occupied with its repair for some months, during which a sudden fire destroys a grass shed full of materials used to trade with the natives. While one of the natives is tortured for allegedly causing the fire, Marlow is invited in the room of the station's brick-maker, a man who spent a year waiting for material to make bricks. Marlow gets the impression the man wants to pump him and is curious to know what kind of information he is after. Hanging on the wall is "a small sketch in oils, on a panel, representing a woman draped and blindfolded carrying a lighted torch". Marlow is fascinated with the sinister effect of the torchlight upon the woman's face, and is informed that Mr. Kurtz made the painting in the station a year ago. The brick-maker calls Kurtz "a prodigy" and "an emissary of pity, and science, and progress", and feels Kurtz represents the "higher intelligence, wide sympathies, a singleness of purpose" needed for the cause Europe entrusts the Company with. The man predicts Kurtz will rise in the hierarchy within two years and then makes the connection to Marlow: "The same people who sent him specially also recommended you". Marlow is frustrated by the months it takes to perform the repairs, delayed by the lack of proper tools and replacement parts at the station. He learns that Kurtz is not admired but rather resented by the manager. Once underway, the journey up-river to Kurtz's station takes two months. The steamboat stops briefly near an abandoned hut on the riverbank, where Marlow finds a pile of wood and a note indicating that the wood is for them and that they should proceed quickly but with caution as they near the Inner Station. The Roi des Belges ("King of the Belgians"—French), the Belgian riverboat Conrad commanded on the upper Congo, 1889 The journey pauses for the night about below the Inner Station. In the morning the crew awakens to find that the boat is enveloped by a thick white fog. From the riverbank they hear a very loud cry, followed by a discordant clamour. A few hours later, as safe navigation becomes increasingly difficult, the steamboat is attacked with a barrage of small arrows from the forest. The helmsman is impaled by a spear and falls at Marlow's feet. Marlow sounds the steam whistle repeatedly, frightening the attackers and causing the shower of arrows to cease. Marlow and a pilgrim (Marlow's word for the European hangers-on in the steamer) watch the helmsman die. In a flash forward, Marlow notes that the International Society for the Suppression of Savage Customs had commissioned Kurtz to write a report, which he did eloquently. A handwritten postscript, apparently added later by Kurtz, reads "Exterminate all the brutes!" At Kurtz's station Marlow sees a man on the riverbank waving his arm, urging them to land. The pilgrims, heavily armed, escort the manager on to the shore to retrieve Mr. Kurtz. The man from the bank boards the steamboat and turns out to be a Russian wanderer who had happened to stray into Kurtz's camp. He explains that he had left the wood and the note at the abandoned hut. Through conversation Marlow discovers just how wanton Kurtz can be; how the natives worship him; and how very ill he has been of late. The Russian admires Kurtz for his intellect and his insights into love, life and justice and suggests that he is a poet. He tells of how Kurtz opened his mind and seems to admire him even for his power—and for his willingness to use it. Marlow, on the other hand, suggests that Kurtz has gone mad. From the steamboat, Marlow observes the station in detail and is surprised to see near the station house a row of posts topped with the severed heads of natives. Around the corner of the house, the manager appears with the pilgrims, bearing a gaunt and ghost-like Kurtz on an improvised stretcher. The area fills with natives, apparently ready for battle but Kurtz shouts something from the stretcher and the natives retreat into the forest. The pilgrims carry Kurtz to the steamer and lay him in one of the cabins, where he and the manager have a private conversation. Marlow watches a beautiful native woman walk in measured steps along the shore and stop next to the steamer; literary commentators say she is Kurtz's mistress. When the manager exits the cabin he pulls Marlow aside and tells him that Kurtz has harmed the company's business in the region, that his methods are "unsound". Later, the Russian reveals that Kurtz believes the company wants to remove him from the station and kill him and Marlow confirms that hangings had been discussed. Arthur Hodister (1847-1892), who Conrad's biographer Norman Sherry has argued served as one of the sources of inspiration for Kurtz After midnight, Marlow discovers that Kurtz has left his cabin on the steamer and returned to shore. He goes ashore and finds a very weak Kurtz crawling his way back to the station house, though not too weak to call to the natives for help. Marlow threatens to harm Kurtz if he raises an alarm but Kurtz only laments that he had not accomplished more in the region. The next day they prepare for their journey back down the river. The natives, including the ornately dressed woman, once again assemble on shore and begin to shout unintelligibly. Noticing the pilgrims readying their rifles, Marlow sounds the steam whistle repeatedly to scatter the crowd of natives. Only the woman remains unmoved, with outstretched arms. The pilgrims open fire as the current carries them swiftly downstream. Kurtz's health worsens on the return trip and Marlow becomes increasingly ill. The steamboat breaks down and while it is stopped for repairs, Kurtz gives Marlow a packet of papers, including his commissioned report and a photograph, telling him to keep them away from the manager. When Marlow next speaks with him, Kurtz is near death; Marlow hears him weakly whisper "The horror! The horror!". A short while later, the "manager's boy" announces to the rest of the crew, "Mistah Kurtz—he dead" . The next day Marlow pays little attention to the pilgrims as they bury "something" in a muddy hole. He falls very ill, himself near death. Upon his return to Europe, Marlow is embittered and contemptuous of the "civilised" world. Several callers come to retrieve the papers Kurtz had entrusted to him, but Marlow withholds them or offers papers he knows they have no interest in. He then gives Kurtz's report to a journalist, for publication if he sees fit. Finally Marlow is left with some personal letters and a photograph of Kurtz's fiancée, whom Kurtz referred to as "My Intended". When Marlow visits her, she is dressed in black and still deep in mourning, although it has been more than a year since Kurtz's death. She presses Marlow for information, asking him to repeat Kurtz's final words. Uncomfortably, Marlow lies and tells her that Kurtz's final word was her name. 

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Three brothers (D'Sparil, Korax, and Eidolon), known as the Serpent Riders, have used their powerful magic to possess seven kings of Parthoris, turning them into mindless puppets and corrupting their armies. The Sidhe elves resist the Serpent Riders' magic. The Serpent Riders thus declared the Sidhe as heretics and waged war against them. The Sidhe are forced to take a drastic measure to sever the natural power of the kings destroying them and their armies, but at the cost of weakening the elves' power, giving the Serpent Riders an advantage to slay the elders. While the Sidhe retreat, one elf (revealed to be named Corvus in Heretic II) sets off on a quest of vengeance against the weakest of the three Serpent Riders, D'Sparil. He travels through the "City of the Damned", the ruined capital of the Sidhe (its real name is revealed to be Silverspring in Heretic II), then past the demonic breeding grounds of Hell's Maw and finally the secret Dome of D'Sparil. The player must first fight through the undead hordes infesting the location where the elders performed their ritual. At its end is the gateway to Hell's Maw, guarded by the Iron Liches. After defeating them, the player must seal the portal and so prevent further infestation, but after he enters the portal guarded by the Maulotaurs, he finds himself inside D'Sparil's dome. After killing D'Sparil, Corvus ends up on a perilous journey with little hope of returning home. 

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Thyrion is a world that was enslaved by the Serpent Riders. The two previous games in the series documented the liberation of two other worlds, along with the death of their Serpent Rider overlords. Now, the oldest and most powerful of the three Serpent Rider brothers, Eidolon, must be defeated to free Thyrion. Eidolon is supported by his four generals, themselves a reference to the Four Horsemen of the Apocalypse. To confront each general, the player has to travel to four different continents, each possessing a distinct theme (Medieval European for Blackmarsh, Mesoamerican for Mazaera, Ancient Egyptian for Thysis, and Greco-Roman for Septimus). Then, finally, the player returns to Blackmarsh in order to confront Eidolon himself inside of his own dominion Cathedral. 

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After Corvus returns from his banishment, he finds that a mysterious plague has swept the land of Parthoris, taking the sanity of those it does not kill. Corvus, the protagonist of the first game, is forced to flee his hometown of Silverspring after the infected attack him, but not before he is infected himself. The effects of the disease are held at bay in Corvus’ case because he holds one of the Tomes of Power, but he still must find a cure before he succumbs. His quest leads him through the city and swamps to a jungle palace, then through a desert canyon and insect hive, followed by a dark network of mines and finally to a castle on a high mountain where he finds an ancient Seraph named Morcalavin. Morcalavin is trying to reach immortality using the seven Tomes of Power, but he uses a false tome, as Corvus has one of them. This has caused Morcalavin to go insane and create the plague. During a battle between Corvus and Morcalavin, Corvus switches the false tome for his real one, curing Morcalavin's insanity and ending the plague. 

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